Six disciplines, one team, one brief. Start with the format you came for, or let us scope the whole campaign at once.
Most teams come to us for one thing, the runway show, the leadership video, the activation, the campaign stills. Then they realize the day they already booked could have produced all four.
So we organize the work around formats, not departments. Video and photography run off the same brief and the same look, and you get one number and one point of contact instead of five vendors trying to match each other in post.
We staff the entire run of show, so the keynote, the candids, and the room at its fullest all get covered. You get the event as it happened, not the three moments someone remembered to grab.
Watched, not just approved.
Brand videos, leadership stories, and internal comms that hold attention.
The show won't wait. We're ready.
Shows, campaigns, and fashion film, front row to backstage.
Built for the people who weren't there.
Pop-ups, launches, and activations, captured live and cut for social.
Still working two years later.
Brand, portrait, lifestyle, food, and event, built for every channel.
Ours nowhere on it.
White-label video and photo. Your name, your credit.
Landing pages and small sites, designed and built around the video and photos we make, by the same team that made them. Focused pages that give your best work somewhere to live and something to do.
Most of these get booked together, not one at a time.
A single production day routinely covers two or three of the six. That's usually where the budget goes furthest, and it's the first thing we look at when we scope.
Four steps from the first message to the last file. You'll know the number, the crew, and the delivery dates before anything is booked.
Start a project→Not the specs. The outcome, the launch, the room, the pitch, the quarter of social you need to fill. We work backwards from there.
One call, no deck required.
A scope with the crew, the day, the deliverables, and one all-in number. Agency fee and processing are already in it, so the total doesn't move later.
You approve a plan, not an estimate.
A crew sized to the run of show, briefed before they arrive. Video and photography working off the same plan, so nothing gets covered twice and nothing gets missed.
You run your event. We run ours.
Review in Frame.io with timecoded notes, then delivery in every ratio and length the campaign calls for. Rush cuts go out while the story is still live.
One production, everything it can produce.
A few recent projects. Everything else, with the full write-ups, lives in the work index.
We write, research and build in public. If you are still deciding, this is usually more useful than another sales page.
Pricing, contracts, crew, and the parts of production nobody puts in a proposal. Written by the people on the shoot, not a content team.
Read The Dailies→
Longer work on where brand video is going: what formats hold attention, what campaigns cost, and what actually gets measured after delivery.
Read the research→
One guided, professionally shot interview that turns an hour with your founder into an evergreen library. A format of its own, with its own page.
See the sessions→The pricing page runs a live calculator. Pick the format, the number of days, the crew, and the deliverables, and the estimate moves as you go. No form, no discovery call, no waiting three days for a number.
It's built on the same structure we scope from, so what you land on is where a real quote starts.
Open the pricing calculator→The six we get most often about working across formats. The longer list, including licensing and travel, lives on the FAQ page.
Full FAQ→Both, from the same team, often on the same day. Most clients book video and photography together so they walk away with everything from one production: the film, the stills, the social cuts, and the campaign imagery. One brief, one crew, one consistent look across all of it.
Yes, because the fundamentals don't change. A runway, a boardroom, and a festival floor all come down to the same thing: knowing what the story is and how to capture it under pressure. We've built one team that does all five disciplines to the same standard, so you get range without trading away quality.
By the project, not by the format. We scope to what you need across every deliverable and price it all-in, so a video-and-photo campaign is one clear number, not five separate invoices. You see exactly what you're paying for before anything starts, and bundling formats almost always costs less than hiring them out piece by piece.
It depends on what's at stake. A freelancer can be perfect for a single, simple deliverable. But the moment a project needs more than one format, a real timeline, or a brand it can't afford to get wrong, you want a team that owns the whole thing: strategy, crew, post, and delivery, with one point of accountability.
Both. We work directly with brands, and we white-label for agencies and studios that need a production team without the overhead. You bring the client, we bring the crew and the deliverables, and your name stays on everything.
We're based in New York and we go wherever the project needs us. We've produced across the country and overseas, with the same crew and the same standard no matter the time zone. Travel gets built into the estimate up front, so there are no surprises.
Six disciplines, one team, one brief. Start with the format you came for, or let us scope the whole campaign at once.
Most teams come to us for one thing, the runway show, the leadership video, the activation, the campaign stills. Then they realize the day they already booked could have produced all four.
So we organize the work around formats, not departments. Video and photography run off the same brief and the same look, and you get one number and one point of contact instead of five vendors trying to match each other in post.
We staff the entire run of show, so the keynote, the candids, and the room at its fullest all get covered. You get the event as it happened, not the three moments someone remembered to grab.
Watched, not just approved.
Brand videos, leadership stories, and internal comms that hold attention.
The show won't wait. We're ready.
Shows, campaigns, and fashion film, front row to backstage.
Built for the people who weren't there.
Pop-ups, launches, and activations, captured live and cut for social.
Still working two years later.
Brand, portrait, lifestyle, food, and event, built for every channel.
Ours nowhere on it.
White-label video and photo. Your name, your credit.
Landing pages and small sites, designed and built around the video and photos we make, by the same team that made them. Focused pages that give your best work somewhere to live and something to do.
Most of these get booked together, not one at a time.
A single production day routinely covers two or three of the six. That's usually where the budget goes furthest, and it's the first thing we look at when we scope.
Four steps from the first message to the last file. You'll know the number, the crew, and the delivery dates before anything is booked.
Start a project→Not the specs. The outcome, the launch, the room, the pitch, the quarter of social you need to fill. We work backwards from there.
One call, no deck required.
A scope with the crew, the day, the deliverables, and one all-in number. Agency fee and processing are already in it, so the total doesn't move later.
You approve a plan, not an estimate.
A crew sized to the run of show, briefed before they arrive. Video and photography working off the same plan, so nothing gets covered twice and nothing gets missed.
You run your event. We run ours.
Review in Frame.io with timecoded notes, then delivery in every ratio and length the campaign calls for. Rush cuts go out while the story is still live.
One production, everything it can produce.
A few recent projects. Everything else, with the full write-ups, lives in the work index.
We write, research and build in public. If you are still deciding, this is usually more useful than another sales page.
Pricing, contracts, crew, and the parts of production nobody puts in a proposal. Written by the people on the shoot, not a content team.
Read The Dailies→Longer work on where brand video is going: what formats hold attention, what campaigns cost, and what actually gets measured after delivery.
Read the research→One guided, professionally shot interview that turns an hour with your founder into an evergreen library. A format of its own, with its own page.
See the sessions→The pricing page runs a live calculator. Pick the format, the number of days, the crew, and the deliverables, and the estimate moves as you go. No form, no discovery call, no waiting three days for a number.
It's built on the same structure we scope from, so what you land on is where a real quote starts.
Open the pricing calculator→The six we get most often about working across formats. The longer list, including licensing and travel, lives on the FAQ page.
Full FAQ→Both, from the same team, often on the same day. Most clients book video and photography together so they walk away with everything from one production: the film, the stills, the social cuts, and the campaign imagery. One brief, one crew, one consistent look across all of it.
Yes, because the fundamentals don't change. A runway, a boardroom, and a festival floor all come down to the same thing: knowing what the story is and how to capture it under pressure. We've built one team that does all five disciplines to the same standard, so you get range without trading away quality.
By the project, not by the format. We scope to what you need across every deliverable and price it all-in, so a video-and-photo campaign is one clear number, not five separate invoices. You see exactly what you're paying for before anything starts, and bundling formats almost always costs less than hiring them out piece by piece.
It depends on what's at stake. A freelancer can be perfect for a single, simple deliverable. But the moment a project needs more than one format, a real timeline, or a brand it can't afford to get wrong, you want a team that owns the whole thing: strategy, crew, post, and delivery, with one point of accountability.
Both. We work directly with brands, and we white-label for agencies and studios that need a production team without the overhead. You bring the client, we bring the crew and the deliverables, and your name stays on everything.
We're based in New York and we go wherever the project needs us. We've produced across the country and overseas, with the same crew and the same standard no matter the time zone. Travel gets built into the estimate up front, so there are no surprises.
Tell us about your brand and what's coming, a launch, an event, a story worth telling. We come back with a real creative concept: the idea itself, what we'd shoot, how it looks, and what it costs.
Get your conceptFree. Reviewed by our team before it reaches you.
Yours generates in about twelve seconds.
Every project earns its closing frame. Ready to roll on the next one?
Start a project→We reply within one business hour, weekdays.
Every project earns its closing frame. Ready to roll on the next one?
Start a project→We reply within one business hour, weekdays.
