We produced an interview video series for our client Duetti, sitting down with four independent music artists across studios in Nashville and LA. Pop, country, hip hop, and production. Every conversation required a completely different approach.

The Pitch That Made Us Say Yes Immediately
We've been working with Duetti for a while now. They connect independent artists with brand deals, and they're good at it. But they came to us with something new. They wanted to produce an interview video series around their artists. Not ads. Not scripted promos with corporate talking points and zero personality.
Just... real conversations. About the music. The grind. What building a career actually looks like right now as an independent artist. They called it the Artist Series and the mandate was pretty simple. Capture who these people actually are. Don't make it corporate.
Four artists. Four completely different genres. Our job was making sure each episode felt like stepping into that artist's world
Nashville Changes the Room Before You Even Hit Record
We set up in two different studios in Nashville for the artist interview production, and here's the thing about Nashville. People call it the music capital of the world and it's one of those phrases that gets tossed around so much it starts to feel like a tourism slogan. But when you're actually there, setting up mics in rooms where the wood paneling has absorbed decades of songwriting sessions and creative breakthroughs... the space genuinely does half the work for you.
A boardroom puts an artist in interview mode. Their posture stiffens, their vocabulary shifts, they put up a shield. But a Nashville studio that's been lived in for 30 years does the opposite. It tells the person sitting down that vulnerability is fine here. That's the whole point of the room.
We scouted both studios during pre-production with the Duetti team, led by Alex Cepero who drove the project from start to finish. Each room had to match the artist. Brent Morgan got the large live recording studio. Big room, high ceilings, the kind of space built for full bands to play together. That mattered because Brent is country, and country lives in open air and resonance. He talked about how for years he was playing five nights a week at bars, writing jingles, doing weddings, pouring thousands of dollars into songs that 11 people would hear. Duetti changed that timeline for him. Within three days of talking to them he had a deal, and within two weeks the funds were in his account. He told us it freed him up mentally to focus entirely on his music instead of constantly figuring out how to pay for the next thing. There's no armor with Brent. He just loves what he does and the camera caught that without us ever having to dig for it.
Josh Daily was a completely different frequency. We put him in a producer's studio. Smaller room, gear everywhere, monitors glowing. His environment. Josh knew at 14 that music was it. He described getting a feeling he'd never experienced before and wanting to give that same feeling to other people. As a producer, his brain works in layers and textures and how sounds stack on top of each other. They don't hear a song as one thing. They hear all the individual pieces simultaneously.
Interviewing a producer is one of the most interesting challenges in music content. A vocalist tells you a linear story about a heartbreak that inspired a chorus. A producer tries to explain how they manipulated the decay time on a reverb to create a subconscious feeling of isolation. We threw our planned questions out pretty quickly. The detours Josh took us on were the best footage we got from Nashville. He told us he didn't even know selling masters was possible until Duetti came along, and that having ownership and control over his music changed everything for him. With a producer, the rabbit holes are the interview. You just have to be willing to follow.
West Coast, Different Wavelength
LA brought Lola Blanc and Calimosa. Different city, different energy. A local videographer handled production on that end and we took over in post, which is its own kind of puzzle. You're sitting at a timeline staring at compositions and lighting decisions you didn't make, trying to find the story inside someone else's visual language.
Lola filmed in a studio that matched her perfectly. Bright, poppy, stylized. That mattered because pop is hyper-intentional by nature and the visual tone has to reflect it. If you edit a pop artist's interview with the slow, acoustic pacing of a country singer, the viewer feels a disconnect they can't quite name but it's there. The cuts need to be punchier. The rhythm has to match the genre.
And what Lola said on camera hit hard. She had a song with millions of plays but couldn't afford to make a follow-up. Couldn't pay producers, couldn't pay for mixing, couldn't fund music videos. She had this breakout moment and no way to build on it. Duetti gave her the ability to finally make the album she'd been wanting to create for years. She told us that for the first time in her career, she feels like a real artist with a real body of work. That's the kind of thing you don't have to edit around. You just let it play.
Calimosa rounded out the LA sessions, bringing hip hop into the mix and giving the series its fourth genre. Different energy, different cadence, different world. Exactly what the series needed to feel complete.
Four Genres. Every Episode Its Own World
This is the kind of documentary-style interview production we genuinely love. Four people who make completely different music, filmed across two cities, and every episode needs to feel like its own universe. You can't treat a producer like a pop star. You can't edit LA footage with Nashville pacing. When you actually honor the specific, messy, beautiful context of the person in front of the lens... the audience feels that respect even if they can't articulate why.
That's what Duetti wanted. They're not a label. They facilitate brand partnerships for independent artists. But instead of just making deals and moving on, they invested in telling their artists' stories on camera with total creative freedom. No ads baked in. No branded talking points. Just the artists being themselves. That kind of trust from a client is rare and it's why the footage hits different than a standard interview series.