Questions & answers.

We're a video production and commercial photography company based in New York City. We produce content for brands across fashion, music, entertainment, finance, healthcare, tech, nonprofit, and a few industries that don't fit neatly into a category. Video, photo, livestreams, post-production, social content, documentary work. If it involves a camera and a deadline, we've probably done it.

New York City. But we travel wherever the project takes us. Nashville, Orlando, Colorado, Napa Valley, Honduras, Italy. If the work matters, we pack up and show up.

Since 2020. Started with one camera and one client who took a chance. Everything since then has been the result of doing good work and people telling other people about it.

Yeah. We handle everything from pre-production planning through final delivery. Video production, commercial photography, livestreaming, editing, color grading, sound design, motion graphics, social content. One team, start to finish. No subcontractor chains on your end.

Corporate videos, brand films, event coverage, documentary production, livestreams, social content, recap videos, interview production, and campaign content. We also handle post-production for clients who shoot their own footage and just need it finished right.

We do. Event photography, corporate headshots, portraits, product photography, editorial and lookbook shoots, behind-the-scenes content, and on-set stills. Most clients book photo and video together so they walk away with everything from one shoot day.

It means your name goes on the project and our crew does the work behind it. We partner with agencies, marketing teams, and other production companies who need a reliable crew without the client knowing we exist. Agency partnerships, dedicated crew, multi-project retainers, overflow support, co-production. Nobody has to know.

Yes. Multi-camera livestream production for events, conferences, fashion shows, panel discussions, and corporate announcements. We've livestreamed runway shows during NYFW, festival performances in Napa Valley, and corporate events across the country. Instagram Live, YouTube Live, custom RTMP, whatever platform you need.

Absolutely. Some clients hire us to shoot. Some just hand us the footage. Either way, it comes back finished. Video editing, color grading, sound design, motion graphics, content repurposing for social platforms. On time. Ready to post.

We do. We've produced documentaries in Honduras for nonprofit organizations, behind-the-scenes films during New York Fashion Week, and artist documentary content for music-tech platforms. Documentary work is where we get to slow down and tell stories that matter. It's some of our favorite work.

Reels, Shorts, TikToks, Stories, feed posts, Spotify Canvas videos, vertical cuts, horizontal cuts, square cuts. We format everything for wherever it needs to live. Most of our projects include social deliverables because that's where the content actually gets seen.

You tell us what you need. We hop on a quick call, figure out the scope, and put together a plan. No 47-slide onboarding deck. No three weeks of discovery meetings. Most projects go from first call to confirmed shoot in under a week.

Depends on the project. A single shoot day with social cuts can turn around in a few days. A full video campaign might take a few weeks. A documentary could take longer. We'll give you real dates upfront and actually hit them.

We don't cap it with a set number of rounds. We revise until the work is right, as long as the changes stay within the scope we agreed on. We're not the kind of company that charges you every time you have a note, refinements are part of the job. A change in direction, like a new concept, a reshoot, or a different creative approach, is new scope, and we'll always talk that through before any added cost.

Our core team leads every project from start to finish. On shoot days that need more hands, we bring in crew we've worked with before, not people we found on a list. You're not going to show up and meet strangers.

You get Tymel, the founder and creative director. He's not important enough to be unavailable yet. (His words.) No gatekeepers, no junior account reps reading from a script.

Direct. We reply within one business hour on weekdays, and never later than the same day. You'll have a dedicated team that knows your project by name. No repeating yourself to different people every time you call. We use email and whatever platform works best for you.

You own everything. Full usage rights, all formats, ready to post wherever you need. We stick around in case you need us again. Most clients do.

Video production starts at $5,000, photography at $3,100, and post-production only starts at $800. Most projects land between $6,000 and $20,000, and multi-day campaigns run $30,000 and up. Every quote is scoped to what you actually need, and we'll be upfront about where the money goes before anything starts. No surprise invoices. Build your own ballpark on our pricing page, no email required.

We work with all budgets. Every project gets scoped to what you actually need, nothing you don't. A one-day shoot with social cuts is a very different conversation than a multi-day campaign. Both are valid. Both get the same level of care. And if you already have footage, post-production only starts at $800.

50% deposit upfront, 50% upon delivery, net 15 days. We keep it simple and clear so nobody's guessing.

Always. You'll know exactly what you're paying for before we start. Line items, deliverables, timeline, everything spelled out. If the scope changes mid-project, we talk about it before any additional costs happen.

Fashion, music, entertainment, finance, healthcare, tech, nonprofit, education, and a few that don't fit neatly into any box. We never picked a lane because our clients don't live in one.

Multiple seasons of New York Fashion Week. Runway coverage, backstage content, designer documentaries, livestreams, same-day social edits. We've shot at The Pierre, The Plaza, Sony Hall, Gotham Hall, Cipriani, warehouses, and everywhere in between. Clients include Nardos, Canali, and FICFF.

Yes. We've covered the Blue Note Jazz Festival in Napa Valley (Snoop Dogg, Nas, Mary J. Blige, Chance the Rapper), produced ongoing content for the music-tech platform Duetti, and built our own original music series Off The Record. Artist interviews, performance videos, social content, documentary work. Music is in our DNA.

Five years as the exclusive production partner for LSEG's New York operations. NYSE closing bell ceremonies. Healthcare symposium coverage. Leadership interviews, panel discussions, corporate headshots, event recaps. We know how to make corporate content feel alive without breaking protocol.

We do. We traveled to Honduras to produce a documentary for FICFF's Stitching Dreams initiative in partnership with ACOES. The film premiered at their gala and became the centerpiece of their fundraising effort. Nonprofit work is where we get to use everything we know for something that actually matters.

Yes. We're the long-term production partner for Wellvana, a value-based care company. Symposium coverage, leadership interviews, partnership videos, photography across multiple cities. Healthcare content comes with compliance, patient privacy, and regulatory requirements. We already know the rules.

Based in NYC but we go wherever the story takes us. From New York to LA, to Hawaii to Italy. If the work matters, we pack up and show up. Same crew, same standard, no matter the time zone.

We do it all the time. Wellvana has us in Nashville, Orlando, Colorado, and New York. Duetti sends us between Nashville and NYC. We've shot in Napa Valley, Philadelphia, Honduras, and more. One crew, consistent quality, different zip code every project.

We've produced a documentary in Honduras and coordinated deliverables with teams in Italy for Canali. International production adds logistics but the approach is the same. Plan it right, show up ready, deliver on time.

Events are a big part of what we do. Galas, conferences, fashion shows, concerts, corporate events, fundraisers, product launches. We've shot at Sony Hall, Gotham Hall, Cipriani, The Pierre, The Plaza, the United Nations, and the New York Stock Exchange. If it's happening in New York, we've probably been in that room before.

Yes. We've delivered social cuts during Fashion Week while the next show was loading in. Edited content on-site during Canali's 90th anniversary while the event was still going. Same-day turnaround is built into how we work for events that need it.

Full event photography coverage. Galas, conferences, fashion shows, concerts, corporate events. We capture the room, the people, the moments, and the details. Photo galleries delivered within 24 hours for most events, same-day for clients who need it faster.

We've been told yes. Multiple times. Unsolicited. Our project coordinator has befriended every single talent we've ever worked with and our creative director still answers his own emails. Take that how you will.

Fashion Week days regularly hit 12-plus hours. Four or five events, different venues, different clients, and somehow we still show up the next morning. Coffee helps. Stubbornness helps more.

No. And at this point it's become a thing. We don't plan on breaking the streak.